2)Do you think paint is a successful way to communicate a message?
I can tell you that "classic" art, as you defined it, will always have privileged role, because of it's tradition and it's consolidated position. Sometimes i ask myself if there has still importance making paintings, if is it the best way i can express myself, and at the end i'm quite sure of it's legitimacy because of it's particular beauty.
5) Is there any message/idea behind your paint or every painting has its own story?
the feeling i want to communicate, is not immediately clear, maybe by an attentive watch it comes up to the observer.
I wish to bring the observer inside my view, my quietude, my calm world, the thing that should transpire is the peace of mind, the deep moment when you are connected with something you're observing,
the emptiness of peace of mind, sometimes even the fear of something beautiful, the feeling of loneliness, of sublime.
This is why i can't renounce to do my paintings with accuracy and devotion, only the tentative for perfection can produce the drama, the enchanting atmosphere of the peace in my mind.
If me at first can reach the ideal status of vulnerability, the transcendent spiritual essence of the landscape will come to me
6)I know that you would like to go to France and follow the "old-school" way of the en plein air style. Why have you decide to follow the traditional footprint?